Approaches to Literature(week2)

Genre

Writing genres (commonly known, more narrowly, as literary genres) are determined by narrative technique, tone, content, and by critics' definitions of the genres. Writing genres may be fictional or non-fictiona

Genre is a label that characterizes what a reader can expect in a work of literature. The major forms of literature can be written in various genres. Genre is a category characterized by similarities in style, or subject matter.

The classic major genres of literature are:

Fiction

Fiction is the classification for any story or similar work derived from imagination—in other words, not based strictly on history or fact. Fiction can be expressed in a variety of formats, including writings, live performances, films, television programs, animations, video games, and role-playing games, though the term originally and most commonly refers to the narrative forms of literature (see literary fiction), including the novel, novella, short story, and play. Fiction does not refer to a specific mode or genre, unless used in its narrowest sense to mean a "literary narrative". Fiction is traditionally regarded as the opposite of non-fiction, whose creators assume responsibility for presenting only the historical and factual truth; however, the distinction between fiction and non-fiction can be blurred, for example, in postmodern literature.

Comedy

In a modern sense, comedy refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes.

Drama

Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning "action", which is derived from "I do" . The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia, and Melpomene. Thalia was the Muse of comedy , while Melpomene was the Muse of tragedy . Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.

Horror

Horror is a genre of fiction which is intended to, or has the capacity to frighten, scare, disgust, or startle their readers or viewers by inducing feelings of horror and terror. Literary historian J. A. Cuddon has defined the horror story as "a piece of fiction in prose of variable length... which shocks or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". It creates an eerie and frightening atmosphere. Horror is frequently supernatural, though it can be non-supernatural. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society.

→Genre categories: fiction and nonfiction

Genre may fall under one of two categories: fiction and non-fiction. Any genre can be either a work of fiction (nonfactual descriptions and events invented by the author) or a work of nonfiction (a communication in which descriptions and events are understood to be factual).

Alienated (Alienated #1)

Two years ago, the aliens made contact. Now Cara Sweeney is going to be sharing a bathroom with one of them.

Handpicked to host the first-ever L’eihr exchange student, Cara thinks her future is set. Not only does she get a free ride to her dream college, she’ll have inside information about the mysterious L’eihrs that every journalist would kill for. Cara’s blog following is about to skyrocket.

Still, Cara isn’t sure what to think when she meets Aelyx. Humans and L’eihrs have nearly identical DNA, but cold, infuriatingly brilliant Aelyx couldn’t seem more alien. She’s certain about one thing, though: no human boy is this good-looking.

But when Cara's classmates get swept up by anti-L'eihr paranoia, Midtown High School suddenly isn't safe anymore. Threatening notes appear in Cara's locker, and a police officer has to escort her and Aelyx to class.

Cara finds support in the last person she expected. She realizes that Aelyx isn’t just her only friend; she's fallen hard for him. But Aelyx has been hiding the truth about the purpose of his exchange, and its potentially deadly consequences. Soon Cara will be in for the fight of her life—not just for herself and the boy she loves, but for the future of her planet.